A net-art work consisting of 13,718 verbs re-imagined as Yoko Ono-inspired Fluxus one-word text scores, arranged in a random order that will change when the page is refreshed.

In this project, each day a group of five composers and visual artists (David Pocknee, Robert Blatt, Ana Smaragda Lemnaru, Andy Ingamells and Leo Svirsky) posted an experimental text score to the Twitter account www.twitter.com/textscoreaday. The project started on October 12th 2012 and ended on October 12th 2013. These tweets have then been turned into a web-based calendar which will change every day, showing one of @textscoreaday's 366 text scores.

This work is created using the New Fordist Speech Technique that can use 7+ untrained people to reconstruct any voice. 250ms audio samples from a recording of a voice are sent to each player via headphones, which the performers must then copy. The cumulative effect is the reconstruction of the voice through 7+ people. This work presents three examples in which three famous speeches are reconstructed.

As part of the New Fordist Organization's attempt to industrialize artistic processes, one of our projects is a re-arrangement of Brian Ferneyhough's "Bone Alphabet" notoriously difficult percussion solo percussion piece so it can be easily played by nine amateur musicians.